The
Chauffeur was keen to return to Sheffield to see that everything we had missed
on Sunday, and I was happy to go along with the plan. We travelled south down
the M1 as we had two days ago, today the mist more mirk and would have arrived
before 9.30 am had we entered the city on the same pre-travelled route, but
Tomtom had different ideas today. She took us through the centre of the old heavy
industrial part of the city, slow with traffic lights and early morning
traffic, and little beauty to lift the mood. We found ourselves in a strange
little spot that turned out to be across the tramway and some distance by car
from the Park & Ride we were seeking.
By
the time we arrived in the city centre, the Visitor Centre was open, although
the art gallery not yet. We withdrew to the library and I was over fifty pages
into a Large Print version of an Oscar Wilde play when Chris found me and
suggested we relocate to the Art Gallery.
The
Central Library and Graves Gallery on the third floor, was opened in 1934, a
state of art facility with heating, artificial ventilation and five lifts,
built with the support of business man John George Graves, who made his
fortunes out of the one of the country’s earliest mail order business, first
selling watches and then a wide variety of goods. He also gifted almost
seven hundred paintings to kick start the collection. Today there are many fine
works hanging in the gallery including those by Walter Sickert, Stanley
Spencer, Paul Nash, L S Lowry, Burne-Jones, William Blake, just to mention a few artists with whose
names I am familiar. A massive work by the very weird Grayson Perry, an eight
metre tapestry representing the “comfort blanket of Britain” impressed me
greatly. Actually I have seen some wonderful work by this cross-dressing
oddball, which goes to show you shouldn’t form opinions based solely on a
person’s appearance. There are several
galleries filled with very modern work, of the kind that leaves both of us cold
and which can be passed through at regular walking pace. We thought the size of
the gallery rather poor given the size of the city, particularly given its
generous seed collection and had thought it would hold our attention for
longer.
We
lunched in the lovely Winter Gardens, then set off to various points of the
centre to explore significant buildings we had missed out on Sunday. The first
was the City Hall, Yorkshire’s premier music venue and conference centre. This
Grade II listed building was designed in 1920 but not completed until 1932, the
construction delay due to financial constraints. Its a neo-classical building
with a giant portico and the largest hall in the building, the Oval Hall, seats
2,271 people. The Grand Willis III Organ is the largest in Sheffield with over
4,000 pipes and four manuals, however we saw none of this only able to see the
booking hall which in itself is quite lovely.
The
second was the Town Hall, completed in 1897 and extended in 1923, which is used
by the Sheffield City Council and not open to the public. We did poke our nose
into the foyer and ask the customer relations officer if we could look around;
we were allowed only in the Main Entrance Hall where we were able to admire the
grand marble staircase and the wonderful wall friezes.
The
Cutler’s Hall, an imposing building built in 1832, also Grade II listed, is the
third metamorphosis of the headquarters of the Company of Cutlers in
Hallamshire, incorporated by an Act of Parliament in 1624 and in 1638, to
regulate the industry of the cutlery trade. We were stopped at the front door
by a stern chap who obviously had appointed himself the gatekeeper . Today the
building is used for many of the grandest events in the city’s civic and
commercial life of the city, and is not open to casual visitors such as
ourselves.
From
here we set off down the hill from the centre of the city in search of the
Victoria Quays, which had caught our attention from the tram. Alas this glimpse
promised more than the reality, so we spent most of our time around the
waterways walking the towpaths and along the river.
Sheffield’s
canal basin was opened in 1819 as the terminus for the Sheffield and Tinsley Canal,
this fulfilling a long held ambition to connect Sheffield to the sea via the
Trent and Humber. Even by 1848 the canal was being replaced by the railway, and
over the intervening years the area slid into decline, although some commercial
use was made of the area until the early 1970s.
For
over twenty years large scale developers put forward comprehensive proposals
for the total twenty acre site, but no start was made; difficult market
conditions and the derelict state of the buildings the main obstacles. Then in
1992 the Sheffield Development Corporation, helped by British Waterways,
adopted a new approach in which the site was broken down into smaller more
manageable development parcels, with appropriate solutions then being sought
for each part. The site was renamed Victoria Quays at that time, due to its
proximity to the former Victoria Railway Station. However, even though
publicity and guides suggest that the area is now a hive of business and
activity, we found it rather depressed. I would say it is still very much a
work in progress.
We
walked for half an hour toward Rotherham along the canal, the path littered and
unattractive, the water a filthy soup, yet being fished by two taciturn chaps,
and the surrounding buildings ugly, old and derelict. Having reached a point
beyond our tear-off map, we found our way across to the River Don and headed
back toward the city along the Five Weirs Walk, the water here a little more
appealing or at least enough so for the ducks and other water birds about. The
walkway took us past old abandoned warehouses, covered in graffitti, under dark
bridges, and then reaching new highrise commercial buildings, alongside rather
strange art installations in the middle of the river. Clusters and cairns of
stone and steel stand like dwarf piles in the middle of the river, with little
signs explaining the sentiment behind some of them, many of this quite thought
provoking even if a little pretentious. From here it was all uphill back to the
cathedral where we caught the tram back to the Park & Ride, and so back
home.
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