The
Chauffeur spent the first part of the morning removing the worst of the mud and
road grime from the Sorrento, a job more labour intensive here than say, at
home, using the old fashioned bucket and sponge; remember the days? So we
headed off north in a smart looking vehicle, west to join the M1 then north
until we turned off after about twenty miles, to head back west to Harewood
House, one of the Treasure Houses included in our two-for-one voucher, our
destination for the day.
This,
like all grand houses has had several incarnations, the first being way back in
1366 when a “licence to crenellate”
(or fortify) was granted to Sir William de Aldeburgh. (This was the pre-cursor
to council building permits.) Over two hundred years later, in 1601, Sir
William Wentworth, owner of Gawthorpe Hall, acquired Harewood Castle, which he left
to decay keeping Gawthorpe as the centre of his enlarged estate.
Between
1753 and 1771, the current family came into the picture, when Edward Lascelles
inherited Harewood and commissioned architect John Carr, interior designer
Robert Adam, then only in the early years of his brilliance, and a local
furniture maker, Thomas Chippendale to build Harewood House. Once the house was
finished, landscape designer extraordinaire Lancelot “Capability” Brown, he who
has popped up all over the country, began work on the grounds, demolishing
Gawthorpe Hall and sculpting 1,000 acres of parkland. This was the crowning
stamp on a masterpiece, which was immortalised by the great artist JMW Turner
in 1797. It
should be noted here that the Lascelles had accumulated wealth to enable their
generous spending by way of their involvement in the slave trade in Barbados.
In
the early 1840s, when the 3rd Earl of Harewood inherited the House,
already married with most of his thirteen children, he and his wife, capable Louisa,
they had Charles Berry in to modernise the property. Extension to accommodate their
growing family, creation of the parterre terrace garden and refurbishment of
the interior were part of the brief. Again it was deemed a masterpiece, hosting
Queen Victoria and the Russian Czar, though not at the same time.
The
House was again the centre of royal attention when HRH Princess Mary, great
granddaughter of Victoria, married the 6th Earl of Harewood in 1922,
and they moved into the property seven years later.
This
superb house was offered up as a convalescent hospital for soldiers during the
Second World War and we were told that the exquisite plastered ceilings were
timbered over during that period. We were glad to hear that because how would a
wounded soldier, having come from the chaos of war, have coped with the vibrancy
of those patterned ceilings?
But
by 1950, the House had done its dash in dazzling to impress or offering solace
to the needy; the coffers were low and the grounds were opened to the public.
In the 1970s the 7th Earl and Countess of Harewood created the Bird
Garden and the first adventure playground was opened. In 1986 Harewood became
an independent charitable educational trust to maintain and develop Harewood,
its collections and grounds for the public benefit. Word, words, how they can
be twisted; this whole business of “charitable trusts” all seems a bit dodgy to
us.
Since
then, a wide variety of art has been exhibited in the galleries created in the
house, a Himalayan garden has been created with a centre piece of a Buddhist stupa, which no doubt excites the spiritual
types, and in 2014, Harewood hosted the start of the Tour de France.
These included a wonderful variety of weird and wonderful birds from Asia and other exotic far off places: parrots, pheasants, owls, guans, flamingos, cranes and more. The walled garden keeps several local gardening types occupied and today was full of a variety of squash, beans, berries, hops and dahlias. The lake is currently playing host to geese in plague-like numbers, such a ruckus as I have never heard before. Even I who love the sound of birds say that! The Chilean flamingos penned in a corner of the lake fascinated us and the one kookaburra obliged with his long drawn out comedic laugh. The statues in the garden and the entrance hall certainly impressed; the Lascelles must have a thing for giant genitals. The first is “Orpheus”, by Astrid Zydower astride the parterre installed in 1984, and the second, an alabaster block titled “Adam” by Jacob Epstein with no doubt as to his sexuality, acquired in 1961, relocated to its place of honour in 1976 .
Chris
was particularly taken with the ceilings in the house and the beautiful doors fashioned
from mahogany from Barbados, and the birds, while I enjoyed everything about
our day.
On
the way back we called into the local Asda Superstore, a good indicator of the
local populous, and there we did find a very large number of folk of Middle Eastern
origin, the men in long loose robes and the women also wrapped most modestly.
But I did think the 1% “white British” was a huge exaggeration, we pale faces,
either British or antipodean, made up at least 10% of the folk filling the busy
store. And best of all, we have established we have an excellent superstore and
fuel outlet so very conveniently located.
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