We woke
late this morning, mainly because I had doped myself up with antihistamine last
night in the hope of taking full control of my hay-fever. Alas, the change of
timing and dose only served to make it harder to crawl out from the sheets! I
look forward to the day when the weather forecasters announce that the
currently very high levels of pollen have diminished, but then what else should
I expect when I go venturing into the countryside green with grass and seed
laden crops!
And more
to my discredit, I should have bounced out of bed and served my husband bacon
and eggs and anything else he desired on his special morning; it was, after all,
his birthday. Instead he had to make do with his habitual Weetabix.
We headed
into town, arriving, parking and entering on foot across the River Nene just as
the clocks struck 10 am. There were a surprising number of folk about although
not as many as when we returned to the pedestrianized main street at midday.
We spent
about two hours in the Peterborough Museum and Gallery, the first place on our touring
agenda for the day. The art gallery limits its exhibition of collected works to
that which fits in the stair wells, and the galleries were filled with work by
local Crispin Heeson, an accumulation of brightly colourful scribbles, none of
which would hang well on any home we might live in.
But we
were here to learn more about Peterborough and the rest of the building offered
us the appropriate education. There is an excellent exhibition about the
archaeological excavations at Must Farm, only a short distance from
Peterborough and even shorter from Whittlesey. Here the experts dug up evidence
that there was human occupation 3,000 years ago, but before everyone gets too
excited about that, it must not be forgotten that scientists have found that aborigines
were resident in Australia over 40,000 years ago, although they weren’t building
themselves round houses over the fenland and constructing causeways.
There is
also an excellent exhibition about the prisoners of war held at Norman Cross,
another spot on the outskirts of Peterborough, and the beautiful works of art
and craft created there during their idle hours. This was the first known
purpose built prisoner of war camp in the world and operated between 1797 and
1814. Due to its success, more depots were built to take the vast number of
prisoners in the Napoleonic Wars, Dartmoor being the most famous. This we had
visited last year and then seen some of the work done by the idle hands, but
none of it as intricate and brilliant as that on display here in Peterborough.
Here there
were as many as 7,000 prisoners at any one time, guarded by up to 1,000
soldiers and militiamen in two battalions. The prisoners included men and boys
from France, Holland and Italy, and some were as young as ten years old.
The
gallery reserved for the local history explained that one of the catalysts of
Peterborough’s growth was the arrival of the railway in 1845. This lifted the
town from rural obscurity and brought jobs, skills, raw materials and markets
within easy reach. The railway also brought in new people, including Irish
navvies who dug and laid the tracks. In 1861 Peterborough’s population was
7,125, having doubled since 1800, and the railways employed more than 2,000
people, raising the population by 1900 to 35,000. One in every four adults was
employed by the rail.
This
activity was bolstered by a growing industry in brickmaking in the 1880s, which
in turn generated more rail activity. Fletton bricks are remembered by my
husband, and so they should be; five million houses in the United Kingdom are
apparently built with Peterborough bricks.
The museum
is housed in a lovely old building with a chequered past. In the early 1800s, Thomas Cooke built his
house on the site of the site of a Tudor house which had stood here since at
least the mid-1500s. In its time it was
considered the grandest house in the city, built in the modern Georgian style.
In 1856,
Earl Fitzwilliam bought the property and a year later, the Peterborough
Infirmary was moved here, where it remained for the next seventy one years,
operating essentially as a hospital. Today there is one room set aside as an
exhibition operating theatre offering an array of fascinating facts of the day.
The
hospital moved out in 1928, changing hands once more and soon gifted by Percy
Malcolm Stewart to the Museum Society, which has continued to operate under
various management since then.
It was
midday when we emerged from the museum. Hungry, we set off to the Information Centre
to learn where the restaurants were, soon informed and wandered on through the now
busy Cathedral Square and down Cowgate Street looking for a restaurant to catch
our fancy. We settled on the Drapers Arms, part of the tried and trusted
Wetherspoon franchise, and were soon sitting over massive platters of good old
wholesome English food washed down by modest quantities of international
beverages. Dessert was out of the question; quantities were more than
adequate.
We
returned to the centre of town and made our way into the Cathedral precinct,
first calling into the cathedral's own information centre set up in one of the adjacent
buildings. Here we learned the history of the Cathedral, blow by blow, block by
block. It was most interesting and we left keen to see the cathedral for
ourselves.
The first
monastery was established here in 655, but was subsequently destroyed by the
Vikings in 870. Rebuilt as a Benedictine Abbey in the 960s, it managed to
survive Hereward the Wake’s attack in 1069, and remained intact until an
accidental fire destroyed the second abbey in 1116. It was rebuilt in its
present form between 1118 and 1238, becoming the cathedral of the new Diocese of
Peterborough in 1541.
The
exterior is very impressive, but no more than the interior, a wonderful example
of Norman architecture. Round-arched rib vaults and shallow blind arcades line
the nave, while up on the painted wooden ceiling, dating from 1220, is an
exquisite example of medieval art, one of the most important in Europe.
The second
notable body is that of Katherine of Aragon, and here perhaps is the answer to
a question which was nagging me.
How could
it be that after wholesale dissolution of religious institutions, Henry VIII decided this abbey should become a
Cathedral and live on in contradiction to everything else going on?
Katherine
of Aragon was Henry VIII’s first wife, and had been a good and loyal wife for
many years, but had failed to produce a son and heir. He needed to replace her
with a son-producing breeder, and divorced her in that very messy manner that
served to change the history of England. Although he did not attend her
funeral, it has been suggested that his decision regarding the cathedral was a
memorial to Katherine, who is buried here.
I like to think this was so.
We enjoyed
our wander through the cathedral armed just with a small pocket guide, but were
disappointed we had arrived too late for a tour. We may return tomorrow, but
the jury is still out on that.
Back home,
we were happy to put our feet up and were satisfied with a sandwich well after
our normal 6 pm dinnertime.
No comments:
Post a Comment